series (5)
Les Débâcles, first
Monday, February 23, 2015
débâcle: the violent flood that follows when the river ice melts in spring In the winter of 1879-1880 the weather was unusually stormy and cold. All along the Seine there were record quantities of snow and ice. That winter, Claude Monet was at Vétheuil, a village near Argenteuil and to the northwest of Paris. Monet was living in straitened circumstances with his children; his beloved wife Camille had died earlier that year, in September. The remaining Monets were sharing a household with Alice Hoschedé and her children. The winter was [...] more
Second in a Series
Wednesday, February 4, 2015
The Bath is a print, or a series of prints, made by Mary Cassatt in 1891 – at the height of her powers and at a moment when her interest in Japanese prints opened a wonderful set of visual ideas in her mind.
Her powers were considerable. When Pissarro visited her studio in April of that year he wrote of her work to his son Lucien (the two Pissarros had been experimenting with prints themselves. )
You remember the effects you strove for at Eragny? Well, Miss Cassatt has realized just such [...] more
Monet at Work
Wednesday, December 18, 2013
I hadn’t appreciated what it meant to Monet to work in a series. I knew the haystacks and the cathedrals and the water lilies showed different times of day – that you could see the morning in the yellow light along one edge of a bridge or doorframe and the evening in the lavender along the other – but I hadn’t really thought through how Monet would then actually have to work on them. I assumed, I think, that he began, say on a morning painting of haystacks, finished that one and then moved on to one [...] more
A First Glimpse of Sargent and Monet
Wednesday, December 11, 2013
In a book on Monet’s series paintings of London (between 1900 and 1904 he made almost a hundred paintings of three subjects: the Waterloo Bridge, the Charing Cross Bridge, the Houses of Parliament) I read this cursory paragraph: The successful portrait painter Sargent, who urged Monet to show in London in the early 1890s, may have encouraged the artist’s professional interest in London. He was very much in evidence when Monet was in London and assisted him in making arrangements, dined with him, and provided social contacts – some of whom may have been intended as [...] more
First in a Series
Sunday, September 29, 2013
On a fleeting visit to the Cleveland Museum of Art late last December – five women of three generations, including the baby and her much-admired five-year-old cousin L. – I caught a first glimpse of something that seemed suddenly very interesting, or rather it was as if I had already for a while been interested and had come upon the occasion when a dim returning attraction becomes a definite line to pursue.
We were a small cloud of Brownian motion bounding and rebounding in that museum’s great atrium, recently-completed, and its great white rooms – it was almost [...] more