Helen Frankenthaler (1928-2011) worked with many kinds of material. Two springs ago, the Art Institute of Chicago held a show of her prints: Helen Frankenthaler Prints: The Romance of a New Medium . I went a couple of times, and once took our daughter, for whom colors are living presences. Frankenthaler started working seriously as a high school student, with artist Rufino Tamayo as her teacher. Tamayo, born in Oaxaca, painted in an abstract style, and was influenced by surrealism. [...] more

The Bath is a print, or a series of prints, made by Mary Cassatt in 1891 – at the height of her powers and at a moment when her interest in Japanese prints opened a wonderful set of visual ideas in her mind. Her powers were considerable.  When Pissarro visited her studio in April of that year he wrote of her work to his son Lucien (the two Pissarros had been experimenting with prints themselves. ) You remember the effects you strove for at Eragny?  Well, Miss Cassatt has realized just such [...] more

On a fleeting visit to the Cleveland Museum of Art late last December – five women of three generations, including the baby and her much-admired five-year-old cousin L. – I caught a first glimpse of something that seemed suddenly very interesting, or rather it was as if I had already for a while been interested and had come upon the occasion when a dim returning attraction becomes a definite line to pursue. We were a small cloud of Brownian motion bounding and rebounding in that museum’s great atrium, recently-completed, and its great white rooms – it was almost [...] more