What We Miss Without Museums
Thursday, April 23, 2020
Berthe Morisot, Woman in a Garden, 1882-3. Art Institute of Chicago. Photo by Rachel Cohen.
An essay I wrote for the New Yorker online, about missing museums, and making my own remembered museum in the time of quarantine. With paintings by Nicolas Poussin, Berthe Morisot, and William Walker.
From the essay:
"Museums know the desires of our hands. That is why they have so many “Do Not Touch” signs, so many guards to caution us back. The special presence of paintings comes from their being at once untouchable and viscerally evocative of touch..."
- Fri, Jul 24, ‘20Essay in Lit Hub on Jane Austen, Gwendolyn Brooks, and Walking on the South Side
- Fri, Jul 17, ‘20Austen Years Excerpt in the New Yorker Online
- Thu, Apr 23, ‘20What We Miss Without Museums
- Mon, Apr 20, ‘20The Paintings of Beauford Delaney
- Sat, Oct 6, ‘18Berthe Morisot Comes Into Her Own
- Thu, Nov 1, ‘12Gold, Golden, Gilded, Glittering
- Sun, Jun 1, ‘08Looking at Poussin
- Mon, Nov 7, ‘05Life Studies: Artist's Model
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