Rachel Cohen

Impressionism

Morisot

In Chicago

Wednesday, September 7, 2016

We have moved to Chicago. I went to the Art Institute soon after we arrived and was happy to see that the museum has a wonderful Berthe Morisot. I have wanted to keep thinking about her. I find that I remember vividly each experience I’ve had of her work in the last few years: two watercolors from the Clark, an exhibition at the Met that had several of her paintings, a visit to the Musée Marmottan while M played with S in the public gardens. The peculiar density of atmosphere that Morisot achieves seems like something to learn from. [...] read more

Morisot in Paris

Wednesday, June 4, 2014

At the Musée Marmottan last week a chance to really see Morisot: a whole room of the paintings; a smaller room with fifteen watercolors and a selection of works she owned; drawings by the artist and by members of her family; and a special exhibition of paintings from private collections that contained several further canvases. [Edouard Manet at the Isle of Wight, c1875]         Struck, afresh, by the strange quality of paint as she used it. Very thick, the strokes seeming to hang almost like banners in the air, sometimes gauzier as curtains, but sometimes veritable [...] read more

Private Collection II (with Paul Valéry)

Monday, June 3, 2013

Some weeks later I remembered that I had read something about Berthe Morisot, long ago, in a book by Paul Valéry, a collection of occasional pieces about painting with the somewhat misleading title Degas, Manet, Morisot . I hurried back to read the passages on Morisot, three really, altogether perhaps ten pages. The man who wrote the introduction to the volume decided, rather ruefully, that, despite living among the Impressionists and being himself so intelligent, Valéry’s writing about them was only in a limited way perceptive. The poet seems in a way to take the painters and their achievements for [...] read more

Private Collection

Monday, May 13, 2013

A small watercolor by Berthe Morisot was the most surprising thing I saw on our trip to New York.  At the Frick, on loan from the Clark, in that basement space they use for special exhibitions and works on paper, in an assortment of drawings by French Impressionists.  The watercolor is of a dark boat floating in green water among other crafts – masts, bow, lines for sail and anchor, a few indistinct figures moving about their work.  Colors wonderful – shadows of boats reflecting darker green below, sense of movement, mass, buoyancy.  Apparently she drew while herself on [...] read more